Since 2016
This is not a story about a company
Qeeboo
Extraordinary objects
Next Generation brand of furniture and accessories designed and launched in 2016 by Stefano Giovannoni. Inventing extraordinary objects that talks about style and innovative, Qeeboo is the magic name that always comes with the great things Back to the origins of design: here is Qeeboo's philosophy, a brand made of objects for daily use, expressly not bourgeois but suitable for all. Once created, they are entrusted to our interpretation in order to acquire a new life.
The Most Eclectic International Designers
Qeeboo resumes and reinterprets in a fantastic way the icons of our imagination, even literary, and gives them an unexpected original 'patina' full of emotion and imagination, introducing a collection of beautiful ironic and surprising objects. A family of products, created in collaboration with the most eclectic international designers: from Andrea Branzi to Front, from Richard Hutten to Studio Job, from Marcel Wanders to Nika Zupanc. The original objects in the panorama of national and international design, it is not just a showcase, but a charming place that, only a designer as Stefano Giovannoni, could design and realize.
Things To Remember
During the 14th century, a small group of young poets from Florence (Guido Cavalcanti, Guido Guinizzelli, Lapo Gianni, Dante Alighieri, Cino da Pistoia) were the first to stop the Middle Age with its dogmatic and useless theologies in order to talk about Love, about Women (which may have never even existed, just like Petrarca’s Laura), about their diversity from the Byzantines, becoming witnesses of a generation without a clear destiny… By inventing the Women, they also invented the New Men.
Dante, the Father, coined for them this magical name, which changed not only poetry but also the history of the world… As a matter of fact, all great things always come from little ones, apparently useless and redundant; from a title and sometimes by chance.
The Dolce Stil Novo of Design is founded on a figurative and narrative matrix, completely different from the one of the commercial markets, but maybe even more invasive than that, herald of a new feminine and masculine sensitivity: less testosterone, more irony, more simplicity. An innocent Design and therefore braver.
– Andrea Branzi –
